In an era where artists often play it safe, Mighty Mystic stands as a refreshing outlier in the reggae landscape. His latest single, "Patiently Waiting," arrives like a lightning bolt – and trust me, it was worth the wait.

Mystic has always been something of a musical chameleon, one foot planted firmly in reggae's rich soil while the other dances across various genres. 

This time around, he's painting with an even broader palette, weaving 80s pop sensibilities into his signature sound. But don't let the accessible production fool you – beneath those radio-friendly rock riffs lies a message that cuts deep.

"Patiently Waiting" serves as both a greeting and a warning shot. Here's an artist who's clearly done holding his tongue, delivering lyrics that'll have you shifting uncomfortably in your seat – in the best possible way. 

Whether he's dissecting political hypocrisies or untangling complex family dynamics, Mystic approaches each topic with the precision of a surgeon and the fearlessness of a revolutionary.

What's particularly striking about this track is how it manages to balance its harder edges with genuine musicality. 

The rock elements don't feel forced or gimmicky; instead, they provide a muscular framework for Mystic's reggae foundations. It's like Bob Marley decided to jam with The Police, but with a modern twist that's entirely Mystic's own.

Produced by Gary Dread from the West Coast Reggae outfit The Movement, this isn't just another reggae single – it's a declaration. While many artists in the genre are content to rehash familiar themes and sounds, Mighty Mystic continues to push boundaries, both sonically and lyrically. He's been patient, yes, but now he's done waiting. And if this release is any indication, the reggae world better be ready for what comes next.

Emerging onto the scene in 2024, Karmelho is a fresh voice carving out his own space. His latest track, *"Where Can You Be,"* picks up where his buzzworthy single *"Trees"* left off, turning heads in the local circuit. This time, he leans into a smooth, nostalgic lovers rock vibe that feels like a warm embrace of the past while still keeping it fresh. It’s the kind of song that quietly worms its way into your mind—perfect for fans craving something familiar yet refreshingly different.

There's something profound about artists who keep their flame burning regardless of spotlight's glare. Jahmiel, a conscious voice who's been weaving through reggae's landscape for years, embodies this spirit with his latest release "Who I Am" – a track that feels like a quiet conversation with your own soul.

Stripped down to acoustic guitar whispers, the song carries the weight of experience without the burden of pretense. It's the kind of music that makes you wonder why mainstream recognition sometimes misses the most authentic voices. But perhaps that's the beauty of it – some messages are meant to find their way to hearts through back roads rather than highways.

As the lead single from his upcoming album "Nirvana" (set to drop in 2024), "Who I Am" serves as both introduction and testimony. Here, Jahmiel isn't just singing about life, love, and livity – he's offering pieces of his journey wrapped in melody. The minimalist production creates a space where his words don't just reach your ears; they settle in your spirit.

What strikes deepest is how the track embodies its own message. In an era where conscious music often feels the need to shout its presence, Jahmiel's approach reminds us that truth needs no amplification – it just needs to be genuine. Each note feels like a page from a personal diary that somehow tells your story too."Who I Am" is a soulful reminder that mainstream evasion doesn't equal artistic irrelevance. With "Who I Am," Jahmiel proves that staying true to your voice might not fill stadiums, but it fills hearts – and sometimes that's a bigger accomplishment.

Staff Writer -

Sometimes the smoothest transitions happen when you're not watching too closely. That's the vibe Iotosh is riding with "What's the Pree"—a sun-kissed journey that feels like windows-down freedom on a Sunday afternoon drive through the hills of Jamaica.

Recording at Protoje's Habitat Studio, Iotosh has crafted something that flows like a gentle breeze through palm trees. The track, co-written with Kyraxx, doesn't announce its intentions so much as it invites you to ride shotgun and just... be. It's the kind of song that makes you nod your head without realizing you're doing it.

What's particularly sweet about this release is how it captures Iotosh in mid-flight. Artists often talk about transition, but rarely do they manage to bottle the feeling of change itself. Here, Iotosh does just that—creating a soundtrack for evolution that feels as natural as watching clouds shift shape across a Kingston sky.

As a teaser for his upcoming 8-track EP "For The People" (dropping November 20th), "What's the Pree" suggests we're in for a collection that values the journey as much as the destination. It's music that doesn't try to convince you of anything—it just creates space for you to find your own groove.

"What's The Pree" is a laid-back groove that feels like the musical equivalent of a deep breath and a slow smile. Iotosh isn't just making music for the people; he's creating spaces for them to exist in their most natural state.

"For The People" EP available for pre-order now on Bandcamp.

Staff Writer -

There's something to be said for artists who move at their own pace. In an era where the digital world demands constant content, Royal Blu stands apart like a still pond in a rushing river. 

His latest offering, "Stranger Twice," emerges not with a splash but with gentle ripples that somehow manage to reach further shores.

Released through Easy Star Records, this meditation on love and loss feels less like a song and more like a confession whispered in the twilight hours. Working alongside songwriters Keron Alexander, Aundre Edwards, and Romario Bennett, Blu has crafted something that G.WAV's production cradles like a precious memory – gentle, but with weight.

The beauty of "Stranger Twice" lies in its deceptive simplicity. 

Like watching clouds form patterns in a clear sky, the song's allegory of romantic disconnection unfolds slowly, revealing new shapes with each listen. It's the kind of track that doesn't announce its depth – it simply invites you to wade in at your own risk.

What strikes me most is how the song mirrors its creator's artistic philosophy. 

Just as Royal Blu releases music only when his soul demands it, "Stranger Twice" refuses to rush its emotional payload. It's a slow-burning reminder that some feelings need time to properly marinaste, that some stories are better told in whispers than shouts.

In an age where love songs often compete for attention with increasingly dramatic declarations, "Stranger Twice" chooses instead to document the quiet devastation of becoming unknown to someone who once knew you completely. 

It's this universality, wrapped in specificity, that makes the track resonate beyond its gentle sonics.

Some artists create waves; Royal Blu creates ripples. 

But as any physicist will tell you, ripples can travel further than you'd expect, especially across still waters. "Stranger Twice" is proof that sometimes the softest voices carry the heaviest truths.

"Stranger Twice" is now available on all streaming platforms through Easy Star Records.

You know that feeling when you're waiting for your tree to bring back a seasonal special? 

That's what it's like being a Cathy Matete fan. The Kenyan songstress takes her time between releases, but when she blossoms, she bears sweet fruit.

Her latest offering – a reggae-infused take on Anita Baker's "Sweet Love" fits just right, feels familiar, yet somehow becomes entirely her own. she's taken a classic and draped it in new clothes that feel like they were always meant to be there.

Working with Brazilian-born, Atlanta-based producer Rafael Labate (Raflabs Studio), Matete hasn't just covered Baker's song – she's had a conversation with it. 

Her rich vocals settle into the melody like honey in warm tea, while the reggae arrangement wraps around the original's soul like a soft blanket on a cool evening.

What's remarkable here isn't just the technical execution – it's how comfortable it all feels. 

Matete navigates this reimagining with the ease of someone walking through their own garden. She knows every corner, every shade, every bloom, yet still manages to make us see it all with fresh eyes.

The result? 

A version that doesn't try to outshine Baker's original but instead stands beside it, offering a different kind of warmth. 

It's like when you hear two good friends laugh together – neither laugh diminishes the other, they just create something beautiful together.

For those of us who wait patiently between Matete's releases, this cover reminds us why we don't mind the wait. Some artists don't need to flood the market – they just need to show up at exactly the right moment with exactly the right note.

Look, we've all been that person at a party who knows they can dance but is waiting for the right song to hit. That's basically been Zhayna in Jamaica's music scene – until now. Her new track "Attention" isn't just asking for it – it's demanding it with a cheeky grin and a confident strut.

After bubbling under the surface in Jamaica's grassroots scene like a pot of perfectly-timed curry, Zhayna's finally turned up the heat. This track, cooked up with producer YoChristin, is serving exactly what it needs to: a moment that makes you go "Oh, so THAT'S what she's capable of!"

The visuals? Let's just say whoever directed this video understood the assignment. It's eye-catching in that "I should probably get back to work but just one more replay" kind of way.

Is this the spark that lights the bonfire of Zhayna's mainstream career? 

The track certainly has that sticky quality – you know, the kind that has you humming it in the shower three days later. 

While only time will tell if "Attention" becomes her breakthrough moment, one thing's for sure: she's not just knocking on the door of Jamaica's music scene anymore – she's picking out curtains for her new room.

*Catch you in three months either saying "I told you so" or pretending we never made that prediction. Either way, this track slaps.*

In the vibrant tapestry of Trinidad's musical landscape, where the pulsing rhythms of soca usually take center stage, Freetown Collective continues to paint with different colors. Their latest release, "Eyes On You," isn't just another track – it's a gentle reminder of why this band has become the soundtrack to so many Caribbean moments.

There's something magical about how Freetown consistently manages to swim against the current while still feeling so authentically Trinidadian. 

In a scene dominated by the frenetic energy of soca, they've carved out their own space where thoughtful lyricism and soulful delivery reign supreme. 

"Eyes On You" builds on this tradition, offering a heartfelt piece that feels both timely and timeless.

The track bears the fingerprints of the Blakgold production duo – Eanne Leigh and Nastassja Hammond – whose touch brings a polished warmth to the sound. 

But it's the collaborative songwriting effort between Muhammad Muwakil, Leigh, and Lou Lyons that really gives this track its depth. 

Muwakil's distinctive voice serves as the perfect vehicle for their collective penmanship, delivering lines that feel both personal and universal.

As Trinidad gears up for Carnival season, "Eyes On You" arrives like a cool breeze on a hot day. 

It's not trying to compete with the high-energy soca tracks that will soon flood the streets; instead, it offers a moment of reflection, a space to breathe and feel. And somehow, that makes it even more powerful.

In crafting this track, Freetown Collective hasn't just made another song – they've created another piece of the emotional landscape that makes Caribbean music so rich and diverse. 

It's a reminder that while Trinidad may be the soca capital, it's also home to artists who dare to tell different stories, who choose to move at their own pace.

"Eyes On You" isn't just an early anthem for the carnival season – it's a testament to the power of staying true to your artistic vision, even when you're swimming against the current. 

And in doing so, Freetown Collective continues to enrich the soundtrack of Caribbean life, one soulful track at a time.

Next time you need a break from the carnival energy, put this track on. Let it remind you that sometimes the most powerful music isn't about making you jump up – it's about making you feel.

Let's talk about what just happened in the reggae world, because the 2025 Grammy nominations are anything but business as usual. In a move that's got everyone talking, the Recording Academy has completely switched up their game plan this year, ditching the traditional shortlist and going straight for a final five from a pool of 75 contenders. Bold move? Absolutely. Controversial? You bet.

The Final Five: A Mix That's Raising Eyebrows

First off, let's break down who made the cut:

- Shenseea (first-time nominee)

- Vybz Kartel with "Party With Me" (yes, you read that right)

- The "Bob Marley: One Love" soundtrack (technically a first-timer, wrap your head around that)

- Collie Buddz (back for round two)

- The Wailers with "Evolution" (their second shot at the prize)

Why This Year Hits Different

Here's what's got the industry buzzing: three first-time nominees in a single year. That's not just a statistic – it's a statement. But let's dive deeper into why this particular lineup is causing such a stir.

The Shenseea Factor

If you've been following the evolution of reggae, Shenseea's nomination shouldn't surprise you. She's been breaking down doors and redefining what reggae and dancehall can be in the 2020s. Her nomination isn't just about her music – it's about representation in a male-dominated genre. Finally, right?

The Kartel Comeback

Now, this is where it gets interesting. Vybz Kartel's nomination for "Party With Me" comes fresh off the heels of his decade-long court saga. Whether you're team Kartel or not, you can't deny the impact. It's his first Grammy nod, and the timing couldn't be more politically charged.

The Marley Paradox

Here's something that'll make you do a double-take – Bob Marley, the king of reggae himself, technically just got his first Grammy nomination. Yes, you read that correctly. It's for the "One Love" film soundtrack, and while it feels almost absurd to call it a "first nomination" for Marley, technically, that's exactly what it is. The irony isn't lost on anyone.

What About the Shortlist Drama?

Let's address the elephant in the room – the missing shortlist. Traditionally, getting shortlisted for a Grammy was like receiving a golden ticket in the reggae industry. It meant recognition, respect, and often, better booking fees. By scrapping it, the Academy has essentially eliminated a crucial stepping stone for up-and-coming artists.

Notable artists like Masicka ("Generation of Kings"), Bugle ("Apex"), and Jah Lil ("When A Man Crys") might be feeling this change the most. These albums were hot favorites among Jamaican industry insiders, but here's the kicker – most of these insiders aren't RIAA members. And therein lies a bigger conversation about representation and voice in the industry.

The Big Picture

Here's what we need to talk about: the Grammy awards aren't popularity contests. They're peer reviews. The final five represent the voice of RIAA members, not necessarily the voice of reggae fans or even industry insiders who aren't part of the voting process. It's a system that's been criticized for years, and this year's nominations have only intensified that conversation.

What This Means for Reggae's Future

The 2025 nominations aren't just a list – they're a mirror reflecting the current state of reggae music. We're seeing:

- Traditional boundaries being pushed

- New voices challenging the old guard

- The complex relationship between commercial success and cultural authenticity

- The ongoing evolution of what "reggae" means in the modern era

Looking Ahead

The winner will be announced on February 2nd, 2025, but regardless of who takes home the golden gramophone, this year's nominations have already made history. They've sparked crucial conversations about representation, recognition, and the future direction of reggae music.

What do you think about this year's nominations? Are they a step in the right direction, or is the Grammy committee missing the mark? Drop your thoughts in the comments below – this is a conversation worth having.

*Stay tuned for our in-depth profiles of each nominee in the coming weeks, and don't forget to subscribe to our newsletter for updates and exclusive content about the 2025 Grammy Awards.*

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In the crystalline waters of Caribbean music, where mega-stars often emerge from Trinidad or Jamaica, Antigua has long been content to wade in the shallows. But there's something stirring in these quieter tides – Asher Otto's bold reimagining of Celine Dion's "I'm Alive" arrives like a warm breeze, carrying with it the promise of something fresh in the soca landscape.

What makes this interpretation particularly intriguing is how it transforms Dion's powerhouse pop anthem into something entirely native to the Caribbean experience. The track, produced by the masterful Smilus, doesn't announce itself with either Dion's theatrical flourishes or typical carnival bombast. Instead, it unfolds with the unhurried confidence of island time, weaving what they're calling "Afro-Caribe" – a sound as natural to the region as the meeting of ocean and shore.

Where Dion's original soared with crystalline pop precision, Otto's version sways with tropical warmth, suggesting that even the most quintessentially Canadian power ballad can find new life in Caribbean waters. There's a particular wisdom in this approach; while the rest of the Caribbean music industry often races at carnival pace, Otto and her team are cultivating something more organic, transforming the familiar into something genuinely fresh.

Like the island she calls home, Otto's artistic evolution feels wonderfully unforced. In her version of "I'm Alive," she embodies Antigua's emerging musical identity – thoughtful, distinct, and refreshingly unconcerned with following the well-worn paths of her Caribbean contemporaries. The production shimmers with Smilus's trademark attention to detail, creating a soundscape that feels both rooted in tradition and unafraid of evolution.

For those accustomed to the instant gratification of modern soca releases, Otto's measured approach might feel like a slow burn. But there's something rather poetic about an artist from a nation known for its 365 beaches taking the scenic route. This reimagining suggests that sometimes the most interesting voices are found not in the loudest corners of the Caribbean, but in its quieter moments – where innovation has the space to breathe and grow.

As the Eastern Caribbean continues to shape its own distinct voice in the soca world, Antigua's sun indeed seems to be rising. And with ambassadors like Asher Otto at the helm, who can transform global pop classics into authentic island gold, it's rising with a grace all its own.

The Rise of UnityXM: How a Small Jamaican Radio Station is Rewriting the Rules of Broadcasting

There's something remarkable happening in the world of radio broadcasting, and it's coming straight out of Jamaica. UnityXM, a plucky startup with just five team members, has managed to do what many traditional broadcasters only dream of – they've gone global while keeping their local soul intact.

Since launching in June 2024, UnityXM has attracted 75,000 monthly listeners, a number that might not sound earth-shattering until you consider the context. In Jamaica's competitive radio market, they've already carved out a respectable 1.55% of the total listening audience. But what's truly fascinating is how they've done it.

The station's Managing Director, Lloyd Laing, doesn't call their listeners "listeners" at all – he calls them "Tastemakers." It's more than just clever branding; it represents a fundamental shift in how radio can work in our increasingly connected world. Their "They Pick, We Play" approach turns traditional radio programming on its head, giving their audience real power in shaping the station's sound.

What's particularly intriguing about UnityXM's success is how they've managed to stay lean while thinking big. In an industry often bogged down by heavy operational costs and bloated staff numbers, they've embraced technology to run a 24/7 operation spanning Jamaica, New York, London, and even Estonia. It's a reminder that in today's digital age, you don't need a massive infrastructure to make a massive impact.

But perhaps the most compelling aspect of UnityXM's story is how they've managed to export Jamaican culture while simultaneously enriching it. With nearly half their audience tuning in from places like the UK, Australia, Western Europe, and Southern Asia, they're creating a dynamic cultural exchange. They're not just broadcasting music; they're building bridges between the Afro-diaspora and listeners worldwide.

The station's growth hasn't gone unnoticed by the industry. They're now rubbing shoulders with Jamaica's top 20 traditional stations, and their reach extends to some rather unexpected places – from RVs and motorhomes to boats and private jets. It's an impressive feat for a station that's barely six months old.

As they prepare to launch new shows, including their first female DJ from Western Europe and a Sunday morning show from NYC, it's clear that UnityXM isn't content to rest on its laurels. They're proving that with the right mix of technology, talent, and vision, you can create something truly special in broadcasting.

To borrow Laing's words, "We Likkle, But We Tallawah" – we may be small, but we are strong. It's a quintessentially Jamaican expression that perfectly captures what UnityXM represents: the power of thinking differently, staying agile, and letting your audience help write your story.

In a world where traditional radio often feels stuck in the past, UnityXM is showing us what the future might sound like. And from where I'm sitting, it sounds pretty good.

Edley Shine's path has been a winding one, leading him from the heights of pioneering dancehall with Born Jamericans to a more introspective solo journey. Nearly three decades after making his name, Shine has transitioned into new creative spaces, sipping slowly on the bitter-sweet evolution of his sound.

His recent single "Grow" serves as a perfect example of this artistic metamorphosis. Initially released almost a year ago, the track has slowly but fruitfully blossomed, finding growing visibility and resonance. In many ways, "Grow" encapsulates Shine's approach - one that prioritizes patient experimentation over chasing fleeting trends.

Where Born Jamericans helped stamp the dancehall sound into the mainstream American consciousness, Shine's solo work reveals a more nuanced, reflective artist. He is unafraid to veer off the well-trodden path, favoring subtle evolutions over drastic reinventions. This considered approach allows him to thoughtfully build upon his past while expanding into fresh sonic territories.

Ultimately, Edley Shine's journey is a testament to the power of artistic evolution. He has managed to retain his distinct voice and vision while gracefully adapting to the shifting tides of the music industry. "Grow" stands as a shining example of how an artist can evolve without compromising their core identity - a true marker of Shine's enduring creative vitality.

Sughn's artistry radiates a soulful, fiery energy that immediately commands your attention. Her latest single "Who Thought I Was Mad" shimmers with a raw, experimental edge that sets this rising "Suns" talent apart.

The electric guitar-driven track rightfully earned Sughn a spot in rotation on the respected UnityXM platform - a show of the songs magnetic allure. While the Houston-based artist may still be finding her footing, there's an authentic, unapologetic quality to her music that speaks volumes.

Unafraid to carve her own path, Sughn delivers a refreshing antidote to the formulaic in an industry increasingly shaped by independent, DIY sensibilities. As success redefines itself past charts and accolades, Sughn's unwavering artistic integrity makes her a captivating figure to follow.

With a bold, genre-blending style that flows straight from the soul, Sughn leaves an indelible mark. This is just the beginning for an artist unafraid to let her flames burn bright, demanding that you feel the captivating spark of her artistry.

If you haven't caught wind of Lawgiver yet, it's time to tune in. 

This fresh face from Jamaica's music scene isn't just making noise - he's crafting waves that are rolling across continents. While his original tracks have been turning heads, it's his latest dub version of "Oneness" that's got us hitting repeat.

No flashy gimmicks here - just pure, authentic sound that's been catching fire across Europe and North America. The track's been sliding into playlists and radio rotations with the smooth confidence of a seasoned pro. Even UnityXM.com, the fastest-growing reggae station in the game right now, can't get enough of it.

What makes this one special? 

Maybe it's how Lawgiver's managed to keep it real while pushing boundaries, or maybe it's just that undeniable dub groove that hits different. Either way, this is one of those tracks you're gonna want in your daily rotation. Trust us on this one. 

Word to the wise: Get on this wave before everyone else starts talking about it. 

Even though she's got reggae royalty running through her veins as Tanya Stephens' daughter, this rising star is totally doing her own thing – and loving every minute of it! She's not jumping into the deep end right away, but rather dipping her toes in the musical waters and having a blast creating her own unique vibe for the new-school crowd.

And talk about fun – her fresh track "Temptation" is an absolute vibe! Kelly's serving up some serious retro realness, bringing back that sweet 80's dancehall rub-a-dub flavor with a modern twist. The Boxy Records production is her second drop this year, and let me tell you – this one deserves all the speakers turned up to max!  Time to "LoudUp" and get moving! . 

"Temptation" is out now on all platfoms.

Randy Valentine is always full of surprises, like opening a mystery subscription box—you never quite know what you’re going to get, but it’s usually something fantastic. 

His latest track, "The War," a collaboration with New York-based producer Kheilstone, is no exception. This haunting piece of music really draws you in and makes you think.

Odessa Chambers, a well-respected tastemaker in the Jamaican music scene, has been championing Valentine’s work for good reason.

"The War" encourages you to listen closely and catch the nuances, almost like uncovering a hidden story in the sound. 

It’s definitely worth multiple spins; each time you hear it, you discover something new. 

This isn’t just music—it's an experience that speaks to the ups and downs of life, making it a must-listen for anyone who appreciates good art.

As the second reggae revival unfolds, a refreshing fusion of sounds emerges within this vibrant musical landscape. Jah Vezl stands out as a distinctive voice, carving out a unique space for himself with his latest single, "Freedom Fighter," which resonates deeply with themes of resilience and empowerment.

The powerful anthem merges traditional reggae elements with innovative rhythms, pushing the genre's boundaries while honoring its rich heritage.

What makes Jah Vezl's artistry compelling is his authenticity and purpose.

Each note in "Freedom Fighter" serves as a call to action, urging listeners to embrace their inner strength and fight for their freedom—socially, personally, and spiritually.

In a time of change and uncertainty, Jah Vezl's music becomes a beacon of hope, reminding us of the power of unity and the importance of standing firm in our convictions. "Freedom Fighter" is not just a song; it's an invitation to join the movement for a freer, more equitable world, establishing Jah Vezl as an artist to watch in the reggae revival.

There's something poetic about a farmer cultivating more than just land. 

Ireland Boss, already established in agriculture and export, has been quietly sowing seeds in Jamaica's fertile musical soil. 

While his breakout hit "V6" burst into the dancehall scene with the force of a summer storm, catching mainstream attention and even Broadway's ear, it's his latest offering that reveals deeper roots."Me, Myself and I" strips away the expected dancehall energy to reveal something more intimate - a singer-songwriter emerging from behind the producer's desk. 

Having already demonstrated his ability to craft hits for others (including collaborations with dancehall royalty Spice), Ireland Boss now turns the lens inward. 

The result is disarmingly honest, suggesting that beneath the commercial success lies an artist with unexplored depths.

What makes this evolution particularly intriguing is the parallel between his two vocations. 

Just as farming requires patience, vision, and an understanding of cycles, his musical growth shows similar careful cultivation. 

Armed with his own studio resources - tools of his trade as essential as any tractor or plow - Ireland Boss seems poised for a harvest season in his musical career.

"Me, Myself and I" feels less like a departure and more like a revelation, hinting at the kind of artist who might have been there all along, waiting for the right moment to emerge. As the track gains momentum, it carries with it the promise of more to come - suggesting that Ireland Boss's most fruitful season may still lie ahead.

In his latest offering from "From With," the track "Rather Be" emerges as a masterclass in introspective soul. This isn't just another confessional piece - it's a mirror held up with steady hands, reflecting back truths that feel both personal and universal.

The song's melancholic undertones don't wallow; instead, they serve as a foundation for something more profound. 

What strikes hardest is how the artist transforms self-recognition into sonic poetry. 

This isn't surrender wearing different clothes - it's awakening dressed in melody.

Throughout "From With," this thread of self-discovery weaves consistently, but "Rather Be" pulls it into sharpest focus. 

The artist has laid down breadcrumbs along his musical journey, and following them feels less like tracing footsteps and more like mapping constellations - each point connecting to form a larger, more meaningful picture.

As the track unfolds, the soulful delivery transforms vulnerability into strength. It's the kind of song that sits with you long after the last note fades, leaving you contemplating your own path of self-recognition. The emotional resonance isn't just felt - it's earne

Man, when an artist takes on a beloved classic, it's always a bit of a tightrope walk.

But Skip Marley? 

He's out here making it look effortless with his fresh take on Maxi Priest's "Close to You." This isn't just another cover – it's a whole vibe reimagined for today's ears.

First off, let's talk about that production. Rykeyz (yeah, the same wizard behind hits for Jessie Reyez, Demi Lovato, and Wiz Khalifa) brings his A-game here. 

The way he's managed to preserve the soul of the original while giving it that contemporary bounce? 

That's some next-level stuff. 

It's like watching your favorite vintage car get a modern engine – same classic look, but now it purrs differently.

There's this beautiful moment where the iconic chorus hits, and it's both familiar and brand new at the same time. 

It's like running into an old friend who's had a seriously impressive glow-up. The way he's woven that slow-burning reggae groove with a beat that makes your head nod automatically – pure magic.

What really sets this apart is how Skip manages to walk that fine line between respect and innovation. 

He's not just copying and pasting Maxi's magic; he's adding his own chapters to the story. His verses slide in smooth as butter, bringing fresh energy while keeping that timeless reggae spirit alive and kicking.

This isn't just about a young artist covering an old tune – it's about bridging generations. 

Skip's taking what made the original so special and introducing it to a whole new crowd who might be discovering this melody for the first time. And for those of us who grew up with Maxi's version? 

We're getting to fall in love with it all over again.

Skip's version of "Close to You" hits differently. It's got that rare quality where every listen reveals something new – a little vocal run here, a subtle production touch there.

Skip Marley isn't just carrying on the family name; he's carving out his own lane, and this track is proof positive. It's the kind of music that makes you grateful for both the original and this fresh interpretation. In a world of covers and remakes, this one stands tall as an example of how to do it right.

Dan Gio continues his artistic ascent with "Broom Man," a track that proves the Jamaican artist knows exactly when to hold tight to tradition and when to let it dance in new directions. Here's an artist taking his time in the game – not because he's unsure, but because he's mastered the art of letting quality simmer.

"Broom Man" lands like a summer breeze through Kingston, with Gio weaving his signature style into something that feels both rooted and revolutionary. What's striking is how he's managed to create music that nods respectfully to his Jamaican heritage while refusing to be boxed in by expectations. His sonic vocabulary keeps expanding, but he never loses his accent, if you know what I mean.

The track adds another gleaming entry to a catalog that's starting to look less like a collection of songs and more like a carefully curated goldmine. Gio's got this way of making music that feels both current and timeless – the kind of songs that make you think they might just be playing them 20 years from now.

Throughout "Broom Man," you can hear an artist who's comfortable enough with his craft to take risks, but disciplined enough to make those risks pay off. It's this balance that's becoming Dan Gio's trademark – the steady hand that allows for wild strokes.

There's something fascinatingly unpredictable about Kim Weirdo's journey in music. Since dropping her "Murder Love" EP back in 2015 – a release that turned heads with its unorthodox approach – she's moved like a ghost through the industry, popping up for carefully chosen collaborations with forward-thinking producers like "Red Boom" Reid and the folks at MIA Productions.

Her sporadic appearances might seem random to some, but there's a method to this madness. Each release feels less like a bid for attention and more like a transmission sent when the moment is exactly right. Her latest single, "All I Want Is You," proves this patient approach pays off.

The new track is a perfect example of why timing can be everything. While some artists flood the market with content, Weirdo's selective release strategy allows each song to stand as its own moment, and "All I Want Is You" demands that kind of space. It's the kind of track that sneaks up on you – the sort you might play casually at first, only to find yourself hitting repeat without really knowing why.

What makes this single particularly special is how it manages to feel both fresh and familiar at once. It's like running into an old friend who's grown in all the right ways – recognizable at its core but full of surprising new depths. For those who've been following Weirdo's artistic evolution, this track feels less like a comeback and more like a natural emergence, as if she's been quietly perfecting it all along.

Simply put, "All I Want Is You" isn't just worth adding to your playlist – it's the kind of track that might have you reorganizing that playlist just to give it the proper context it deserves.

You know, I've been sitting with Tori Lattore's new track *"Take Control"* for a minute, and there's something really special happening here.

It's part of this *Island Wave Riddim* project from ZJ Sparks and Loud City, and honestly, it's hitting different. Lattore's always had these flashes of brilliance in her singles, but this time? She's really found her pocket.

It's pretty cool seeing how this came together. You've got ZJ Sparks, who's basically dancehall royalty at this point, linking up with Dan and MG out in Seattle. They're doing this really interesting thing where they're keeping that authentic island foundation but weaving in these subtle electronic touches.

The whole thing just feels... thoughtful, you know?

Like they really took their time with it instead of just rushing something out..

The way Lattore rides this beat is something else. Her voice has this way of just... floating over everything while still keeping this quiet strength to it. The hook gets stuck in your head, but not in that annoying way – more like it just feels right at home there.

What really gets me thinking is how this track kind of pushes back against what's becoming normal in the scene. These days, you hear so many riddims that sound like they came off an assembly line, but this? This feels crafted. It's like ZJ Sparks and Loud City are quietly showing everyone that you don't have to follow the formula to make something that hits.

When you step back and look at the bigger picture, *"Take Control"* feels like one of those moments where everything just clicks. Lattore's showing us what she's really capable of, and this production team is proving they know exactly what they're doing in pushing dancehall forward. It's pretty exciting to see where this might lead.

Tori Lattore's "Take Control" Is out Now on All Platforms

St. Croix-Born Singer/Songwriter Krueshef Prepares to Heat Up Winter with Remix of "Greatness"

October 2024 – As temperatures drop, Krueshef is turning up the heat with his Afro-inspired remix of "Greatness." Born and raised in St. Croix, the talented singer-songwriter is gearing up to release this vibrant remix under the expert guidance of IslandRock Productions, helmed by Lloyd "Reggaeology" Laing.

Building on the success of the original "Greatness" single, released earlier in summer 2024, the remix seamlessly blends Afro-rhythms with Krueshef's signature reggae and dancehall influences. This sonic fusion not only highlights his growing versatility but also marks another milestone in his rise as a global force in Caribbean music.

Fans can expect the remix to deliver the same infectious energy that made the original a hit, elevated by rich cultural layers and dynamic soundscapes. With IslandRock's reputation for pushing the boundaries of traditional genres, this remix is set to be an unforgettable addition to Krueshef's journey.

"Greatness" (Afro-inspired Remix) will be available on all major platforms, including Bandcamp, in early October. 

Jamaican dancehall powerhouse, Govana, has released the highly anticipated official video for his track *"Legacy"*, taken from his album of the same name. This song isn't just another track; it’s the heartbeat of the entire project—a defining anthem that encapsulates Govana's journey and growth as an artist. 

*"Legacy"* showcases the full spectrum of Govana’s artistry, seamlessly blending the smooth and sensual with high-energy tunes and introspective, heartfelt ballads. The album is a testament to his versatility—creating space for him to explore new heights in his career while staying true to his roots. From gritty dancehall bangers to soul-searching melodies, *"Legacy"* stands as a reminder of Govana’s undeniable influence on the genre.

The newly released visuals match the intensity and essence of the track. Directed with a sharp eye for storytelling, the video captures the core themes of *"Legacy"*—persistence, growth, and Govana’s determination to leave an indelible mark on dancehall culture. Each frame is meticulously crafted to reflect his personal and artistic evolution, with vivid scenes that evoke the passion and energy embedded in the song’s lyrics.

Stay tuned to *Reggaeology* for more updates, music news, and insights into the ever-evolving world of reggae and dancehall.

Massachusetts reggae-rock rising stars The Elovaters are back in the spotlight as they team up with Australian hip-hop artist Drapht for a reimagined version of their fan-favorite track *Castaway*. Originally featured on their latest album, *Endless Summer*, this new rendition comes just in time for their upcoming tour in Australia and New Zealand alongside The Original Wailers.

Set to be part of their *Endless Summer (Deluxe)* album, dropping on October 18th, *Castaway* showcases The Elovaters' signature sound while adding Drapht's unique hip-hop flair, promising an exciting fusion for fans. The band recently completed a successful supporting tour with Dirty Heads and Slightly Stoopid, hitting 24 amphitheater dates since July 11th. Now, they are gearing up for their own 17-date headlining tour that kicked off on October 3rd.

With their infectious energy and commitment to uplifting vibes, The Elovaters continue to establish themselves as a force in the reggae-rock scene. Fans can look forward to experiencing *Castaway* and much more during their upcoming performances.

Damian "Jr. Gong" Marley, the four-time GRAMMY® Award-winning artist and producer, is set to release the video for his latest track, Banner, on Friday, October 4th, with the single dropping the following week on October 11th. Known for his ability to weave conscious messages into his music, Damian takes on critical issues like scamming, absent fathers, police misconduct, and systemic corruption in this powerful new anthem.

With hard-hitting, thought-provoking lyrics, Banner challenges listeners to remain steadfast in their values amidst the chaos of society. Damian’s rallying cry, "Give thanks the righteous still a wave dem banner," stands as a call for integrity and moral strength.

Produced by the renowned Scoop Deville—who has collaborated with legends like Kendrick Lamar, Dr. Dre, and Snoop Dogg—Banner showcases Damian's continued evolution as a musical innovator while staying true to his roots. As with much of his work, this single promises to ignite conversations and inspire listeners to take a deeper look at the world around them.

Be on the lookout for Banner, a raw and timely anthem that proves once again why Damian Marley is a lyrical force to be reckoned with.

Blvk H3ro and Glassface’s latest single, Active, is more than just an infectious Electro-Dancehall banger; it's a declaration of a new wave in music. This track, produced by the visionary Glassface—known for his collaborations with Lil Yachty, Ms. Lauryn Hill, and more—alongside Grammy-nominated Noah Beresin, masterfully blends dancehall rhythms with a global, electronic edge. The result? A sound that feels both familiar and groundbreaking.

The production on Active strikes a perfect balance between the pulsating energy of dance music and the vibrant, infectious beats of dancehall. It's impossible not to move to this track, and that’s exactly the point. As the lead single from the upcoming ACTiVE EP, Blvk H3ro and Glassface are setting the stage for a series of releases that push the boundaries of genre and redefine global dance music.

Expect Active to be just the start of a fresh sonic journey that invites listeners to explore new rhythms while staying rooted in the pulse of dancehall.

Jamaican songwriter collective Robot Dread & Co. is stirring excitement with their upcoming EP, *Lovers & Friends*. The group, known for their Rocksteady revivalist sound, has recently dropped two impressive singles that showcase their evolving style.

The first single, "Spinning Time," has been making waves on both radio and Bandcamp, earning praise for its nostalgic yet fresh take on Rocksteady. Following this success, the collective has released "People Change," a hard-hitting track that has quickly become a signature sound for Robot Dread & Co. This latest release embodies their unique Rocksteady-driven style, blending classic rhythms with modern flair.

Led by the eclectic ghostwriter and underground producer Lloyd Laing, Robot Dread & Co. first gained attention with their groundbreaking debut album, *Roots Rights & Bass*, which was heralded as the first Reggae project produced with AI assistance. Their innovative approach to music production continues to captivate audiences, and *Lovers & Friends* promises to further solidify their place in the reggae scene.

Stay tuned as Robot Dread & Co. prepares to unveil more from their highly anticipated EP.

Canadian-based Jamaican artist Rashanal is making big moves with the launch of his new music imprint, *Solid Impact Records*. Building on the success of his hit single "Last Night," Rashanal is set to release "Disloyal Girls Club" on August 2, 2024. 

The track, featured on the upcoming "Girls Club" Riddim produced by Lloyd "Reggaeology" Laing, blends contemporary reggae with classic dancehall vibes. Joining him on the riddim is rising Canadian talent Anthony Seeker. Rashanal's new label promises to bring fresh sounds to the global reggae and dancehall scene.

Germany-based Jamaican artist Roughhouse continues to make waves with his latest studio project, *Changes*. This 14-track album showcases his evolution as an artist, blending his roots in Reggae with a modern sound that resonates across borders. 

Following the success of the title track "Changes", another standout track, "Keep Climbing," has quickly become a fan favorite.

Now in active radio rotation in the West, finding its way on Radio stations in Jamaica, Bahamas, and Portland Oregon, just to name a few. This smooth, inspirational single captures the essence of perseverance, with its addictive yet simple soundscape leaving a lasting impression on listeners. *Changes* is more than just an album; it's a powerful statement of Roughhouse's journey and growth as an artist.

**Spice Unveils the Raw Power of "Mirror 25" – A Milestone Album Celebrating 25 Years in Dancehall**

Jamaican Dancehall Queen and international superstar Spice has once again proven why she’s a force to be reckoned with in the music industry. Her latest studio album, *Mirror 25*, has burst onto the scene with the energy and vibrancy that only Spice can deliver. Aptly named, the album marks her 25-year journey in the Dancehall world, reflecting not just her growth as an artist but also her indomitable spirit and relentless dedication to the genre.

The 25-track album is a sonic journey that encapsulates the highs, lows, and everything in between of Spice’s storied career. With each track, listeners are invited to explore the different facets of her life, from the struggles and triumphs to the love and heartbreaks that have shaped her into the icon she is today.

What makes *Mirror 25* even more compelling is the star-studded lineup of features. Collaborations with Dancehall powerhouses like Pamputee and Jada Kingdom, alongside international heavyweights like Busta Rhymes, Pato Ranking, and Chronic Law, add layers of depth and versatility to the album. Each guest appearance feels like a celebration of Spice’s influence, as well as a testament to her ability to seamlessly blend her unique style with that of her collaborators.

Since its official release last week, *Mirror 25* has already made waves on digital charts worldwide. Fans have been raving about the album's raw and authentic vibe, with many declaring it a triumphant return to form for the Dancehall queen. The anticipation for the Billboard first-week numbers is palpable, as both fans and industry insiders alike wait to see just how high Spice’s latest project will soar.

As we await the Billboard results, one thing is clear: Spice's *Mirror 25* is more than just an album; it's a bold statement of resilience, creativity, and unmatched talent. In celebrating her 25-year journey, Spice has not only solidified her place in the annals of Dancehall history but has also set the stage for the next chapter of her legendary career.

Jamaican country singer-songwriter Wesrok is making remarkable waves in the music scene in 2024. The year began with a bang as he teamed up with Dancehall heavyweights Busy Signal and Masicka for two standout collaborations. Riding this momentum, Wesrok released his captivating solo track "Perfectly Imperfect," which quickly became a fan favorite.

As the summer season heats up, Wesrok is pushing his collaborative efforts even further. He's joined forces with the iconic American Reggae band Big Mountain for the new single "True Love." This track explores the universal power of love, blending country and reggae influences into a unique and compelling sound.

"True Love" seamlessly bridges the gap between these two distinct yet harmonious genres, offering fans a refreshing musical fusion. The single is now available on all digital platforms, promising to be a summer anthem that celebrates the beauty of love through an innovative blend of country and reggae.

Cali reggae songstress Eli-Mac, celebrated for her fun-loving melodies and heartwarming lyrics, has once again captivated listeners with her latest release, "My Guy." 

This clever rendition of The Temptations' classic hit "My Girl" offers a fresh, reggae-infused twist that is both nostalgic and new. Released on June 14th, "My Guy" has quickly become a favorite, earning easy radio spins and emerging as an anthem long after summer is over.

Eli-Mac's unique style and vibrant energy shine through in this track, making it an instant earworm that appeals to both long-time fans and new listeners. 

As temperatures rise, "My Guy" is set to be the perfect soundtrack for sunny days and warm nights, reinforcing Eli-Mac's place in the reggae scene and beyond. If you haven't yet heard "My Guy," now is the time to tune in and enjoy this delightful summer hit.

Nigerian female singer/songwriter Salle has captured the hearts of many since her rise to fame as a TikTok sensation in 2021. This easy-going West African artist has been diligently releasing singles that are beginning to resonate globally. Her latest release, "Countdown," is poised to mark her significant breakthrough.

"Countdown," digitally released in March 2024, is an alluring blend of laidback harmonies and amapiano-inspired rhythms. The single stands out for its robust lyrics and catchy melody, making it an undeniable earworm. The track has already created a buzz in Europe and the UK and is now making its way onto the airwaves in the Caribbean and the US West Coast.

Salle’s journey from a viral internet sensation to a rising global music star is a reflection of her talent and patience. With "Countdown," she is not just announcing her arrival but also cementing her place in the international music scene. Keep an ear out for Salle, as her melodic prowess continues to charm listeners worldwide.

The collaboration between Jamaican singer Nadia McAnuff and the French band The Ligerians has blossomed into a remarkable musical union. Their second studio project, but first full-length album, "Shelter From The Storm," is a 10-track gem that captivates with its soothing dub-infused soundscapes, perfectly complementing McAnuff’s haunting, hypnotic vocals and ethereal lyrics.

Standout tracks include the enchanting "Love Divine," the uplifting "Freedom Of Peace," the title track "Shelter," and the reflective "Fade Away." The crowd-pleaser "Waiting Room" also deserves a special mention for its infectious charm.

Overall, "Shelter From The Storm" is a commendable slow burner, destined to resonate with listeners for a long time.

Jamaican music's reigning dancehall queen, Spice, has dropped what is poised to become one of the summer's hottest dancehall tracks. 

Her new single, "2085 Tea," is an infectious nod to the lyrical style of 80s and 90s dancehall legend General Degree, renowned for his classic hit "Granny." This track is a testament to Spice's ability to blend the nostalgic essence of old-school dancehall with a contemporary twist, creating a captivating earworm that’s hard to shake off.

"2085 Tea" is one of the first releases from her highly anticipated upcoming album, "Mirror 25," set to launch this summer. 

This album marks her third major studio project and her second independent release since the iconic "10," which featured the massive hit "Go Down Deh" alongside fellow Jamaican icons Shaggy and Sean Paul. 

The success of "10" solidified Spice's status as a global dancehall powerhouse, and fans have been eagerly awaiting her next move.

In "2085 Tea," Spice channels General Degree's wittiness with her playful lyrical approach, bringing a fresh familiarity that resonates with longtime dancehall enthusiasts and new listeners. 

The track's energetic beats and catchy hooks are a hallmark of Spice's music, ensuring it will be a staple at summer parties and dancehall sessions worldwide.

The buzz surrounding "Mirror 25" is palpable, with fans and critics alike eager to see what Spice has in store.

Given her track record of delivering chart-topping hits and memorable performances, the anticipation is well-founded. "Mirror 25" promises to be a reflection of Spice's journey and growth as an artist, showcasing her versatility and unwavering dedication to the dancehall genre.

Spice's career has been marked by a series of successful ventures and milestones. 

Her breakout hit, "So Mi Like It," catapulted her to international fame and set the stage for a series of successful releases. 

Over the years, she has collaborated with a slew of prominent artists, further cementing her status in the music industry. Her ability to continually evolve while staying true to her roots has earned her a loyal fanbase and critical acclaim.

The upcoming release of "Mirror 25" is poised to be another significant chapter in Spice's illustrious career. 

With tracks like "2085 Tea" leading the charge, the album is expected to deliver a mix of dancehall anthems and introspective tunes that reflect Spice's personal and professional growth.

In an industry where trends come and go, Spice's consistency and innovation have set her apart. Her latest single, "2085 Tea," is a testament to her enduring appeal and her ability to keep the dancehall genre vibrant and relevant. 

As the summer heats up, so does the anticipation for "Mirror 25," promising to be a defining moment for Spice and her ever-growing legacy in the world of dancehall music.

Bajan-born, UK-based singer-songwriter Amanda Reifer has always been a slow-burning talent, taking her time to craft her music. But when she finally releases new material, it’s always worth the wait. Her latest single, "Colonize," is no exception.

In "Colonize," Reifer eloquently blends her Caribbean sonic roots with modern afropop influences, creating a track that is both refreshing and deeply engaging. Her distinctive voice glides effortlessly over the rhythm, weaving a narrative that is as captivating as it is melodious. 

The song’s production highlights Reifer’s ability to merge genres seamlessly, resulting in a sound that is uniquely her own.

Reifer’s patient approach to music allows her to deliver quality over quantity. Each release is a testament to her meticulous craftsmanship and dedication to her art. "Colonize" stands as a shining example of this, showcasing her growth as an artist and her ability to innovate while staying true to her roots.

Amanda Reifer’s latest single is a must-listen, solidifying her place as a formidable talent in the music industry. With "Colonize," she not only meets expectations but exceeds them, promising even greater things to come.

Jamaican crooner Tarrus Riley, known for his soulful reggae melodies and profound lyrics, has once again captured our ears and hearts with his latest release. This year has seen Riley delivering several notable tracks, but his newest single, produced by the acclaimed DJ Frass, stands out as an exceptional gem. 

This synergy results in a tune that effortlessly blends Riley’s rich, emotive vocals with a beat that is both danceable and deeply engaging. 

What makes this release particularly remarkable is its versatility. The song transcends the typical boundaries of a summer hit, proving to be an addictive banger regardless of the weather. 

Whether you're basking in the sunshine or seeking shelter from the rain, Riley's latest track provides a sonic experience that elevates any moment. 

As the music world navigates through 2024, Tarrus Riley’s newest single with DJ Frass is and addictive anthem that is a testament to Riley's enduring talent and ability to innovate while staying true to his roots. 

Jamaica, renowned for its reggae and dancehall, harbors a surprising affection for country music. From Charley Pride to Dolly Parton, Jamaican artists have covered and reimagined numerous country hits. 

One rising star, Wesrok, is charting a unique path by blending country with reggae.

Hailing from St. Catherine, Wesrok has been making waves with his distinct sound, attracting attention from both reggae and country enthusiasts.

2024 has been a standout year for him, marking his second appearance at Reggae Sumfest. Known for his polished stage presence and cool lyrical delivery, Wesrok's return to Sumfest is eagerly anticipated.

Wesrok's recent collaborations with Busy Signal and Masicka have broadened his audience, especially in urban markets like New York, the UK, Canada, and South Florida. These partnerships have introduced his unique sound to a younger crowd, setting the stage for a breakthrough year.

His success lies in his ability to connect deeply with audiences through his storytelling lyrics and engaging performances. Wesrok embodies the innovative spirit of Jamaican music, blending genres and breaking boundaries. 

His journey is a testament to Jamaica's rich musical heritage and its continual reinvention.

In a land dominated by reggae and dancehall, Wesrok's rise highlights music's universal appeal. His blend of country and reggae celebrates Jamaica's diverse musical tapestry, uniting and inspiring listeners worldwide.

Nigerian sensation TEMS has dropped her latest album, "Born In The Wild," just in time to heat up the summer. This 18-track collection is an Afrobeat-driven, dancehall-inspired project, showcasing her unique blend of traditional African sounds and contemporary influences.

A standout track is "Gangsta," where TEMs pays homage to Jamaican icon Diana King. The track combines gritty beats with TEMs' smooth vocals, creating a fresh and nostalgic tribute. 

With infectious Afrobeat rhythms and vibrant dancehall energy, "Born In The Wild" showcases TEMs'  musical ability to connect deeply with listeners, solidifying her as a leading voice in contemporary music. The album has already racked up the talent a milestone of the biggest streaming day for Nigerian female artist with 8 Million on Spotify in one day.

"Born In The Wild" is not just an album—it's an experience that promises to be the soundtrack for many unforgettable summer moments.

Will Smith, known for his dynamic presence on both the big screen and in the studio, is making waves once again. 

While many are celebrating his return to favor with the fourth installment of the beloved Bad Boys franchise alongside Martin Lawrence, some might have overlooked the fact that Smith is still a lyrical force to be reckoned with.

In a move that reminds fans of his multifaceted career, Smith has joined forces with Jamaican Dancehall icon Sean Paul for the electrifying collaboration single, "Light Em Up." a vibrant addition to the Bad Boys movie soundtrack.

The synergy between Smith and Sean Paul is palpable in "Light Em Up," blending Smith's signature smooth flow with Sean Paul's infectious energy and dancehall flair. Together, they deliver a short spiffy track that is as catchy as it is anthemic, promising to ignite dance floors and playlists worldwide.

With "Light Em Up," Will Smith reminds us all that he is not just an actor but also a seasoned musical talent. 

Geneva’s own sound system-inspired production duo, Derrick Sound, has joined forces with rising Swiss singer LMK to release the long-awaited single "There For You" on the Fight Again Riddim, brought to life by Evidence Music. This collaboration melds Derrick Sound's dynamic production skills with LMK's powerful vocals, creating a track that promises to captivate listeners with its infectious rhythm and heartfelt lyrics.

"There For You" showcases the best of both worlds: Derrick Sound's deep roots in the sound system culture and LMK's fresh, compelling voice, which has been making waves in the Swiss music scene. 

The Fight Again Riddim provides a robust foundation for this musical synergy, blending traditional reggae elements with contemporary sounds to deliver a unique and memorable listening experience. As the track finally drops, fans and new listeners alike can expect a song that not only resonates emotionally but also sets the dance floor on fire. 

With its potent combination of lyrical depth and rhythmic appeal, "There For You" is poised to be a standout hit, marking a significant milestone for both Derrick Sound and LMK.

Trelawny, Jamaica – The ReggaeJam International Music Festival is set to make its Jamaican grand debut at the newly unveiled ReggaePark420 venue on June 14-15th, promising an electrifying weekend filled with pulsating rhythms and vibrant performances. Highlighting the first night of this inaugural event is Jamaican-born, Canadian-based, triple Juno Award winner Kirk Diamond, marking his eagerly awaited homecoming debut.

Kirk Diamond, whose musical prowess has earned him accolades and admiration across the globe, will be setting the stage ablaze on ReggaeJam Night 1, June 14th. His performance is highly anticipated, not only as a homecoming celebration but also as a testament to his journey and success in the reggae music scene.

Known for his soul-stirring lyrics and captivating stage presence, Diamond's return to Jamaica is bound to resonate deeply with fans.

The festival boasts an impressive lineup that is sure to captivate reggae enthusiasts. Following Diamond's set, audiences can look forward to performances from a diverse array of artists. Jah Lil will bring his unique sound to the stage, while Khalia's dynamic energy promises to keep the crowd moving.

The Roughhouse Band, hailing from Germany, adds an international flair to the event, showcasing the global reach and influence of reggae music.

Jamaican music legends Tanya Stephens and Beenie Man will also grace the stage, delivering their iconic hits that have defined reggae and dancehall over the years.

Closing out the night with an unforgettable performance is Busy Signal, whose high-energy show is anticipated to be a festival highlight.

ReggaeJam International Music Festival is more than just a concert; it is a celebration of reggae culture, uniting artists and fans from around the world in the heartland of the genre. The ReggaePark420 venue in Trelawny, with its state-of-the-art facilities and scenic surroundings, provides the perfect backdrop for this historic event.

Tickets for ReggaeJam International Music Festival are available at all Fontana Pharmacy locations and online at A.I Tix. With such a stellar lineup and the promise of an extraordinary experience, this is an event not to be missed.

Antiguan singer Asher Otto continues to shine brightly in 2024. Her 2023 singles ignited just before summer, with her cover of "Without You" gaining steady radio play in Jamaica, the UK, Canada, and West Africa.

Now, her latest track, "Soca Overload," produced by fellow Antiguan Andrew "Smilus" Dorsett, is poised to become a summer hit, making its way into personal playlists everywhere.

Jamaican dancehall artist Rygin King is making bold strides in the 2024 music industry. 

This year, the rising star has broadened his horizons with remarkable collaborations, including the acclaimed Kabaka Pyramid and the legendary Damian "Junior Gong" Marley. Their latest track has won over even the most discerning Jamaican listeners and is gaining traction on radio stations both locally and internationally. 

The powerful music video is trending on YouTube, and the song is now available on all streaming platforms, cementing Rygin King's place in the global music scene.

Embark on a sonic journey with the brand new single "Light My Way" by Royal Blu, Kabaka Pyramid, and The Autos. In this electrifying track, Royal Blu shares the personal significance behind the lyrics, reflecting on the necessity of divine protection in navigating life's uncertainties, especially growing up in Spanish Town.

With heartfelt lyrics and infectious beats, "Light My Way" serves as a powerful anthem, resonating with listeners as they journey through the darkness, seeking guidance and illumination. This collaboration promises to leave a lasting impact, reminding us of the importance of faith and perseverance in the face of adversity.

Germany-based, Jamaican-born multi-hyphenated musician Keith Powell, also known as Roughhouse, has captivated audiences across Europe with his ambitious soundscapes. Now, organically, his musical journey is leading him back home.

The title track "Changes" from his 2023 album not only reflects Powell's eclectic style but also serves as a shining gem in his repertoire. As he seamlessly blends cultures and influences, Powell continues to leave his mark on the global music scene, promising listeners a journey filled with soulful melodies and captivating rhythms.